A label that lives inside the studio.
RIPPLES takes an artist the whole way - writing, recording, producing, releasing worldwide, and the campaign that carries it. Same building, same people, from the first demo to the day it lands.
The artists.
Singer-songwriters, instrumental bands and electronic producers, released worldwide. No house genre, only a house standard - every record here was written and tracked in our rooms.
Kim Forest
Dark, atmospheric songwriting under a soft, close vocal.
Oran Loyfer
Bass-heavy grooves and wide synths, built on instruments collected from everywhere.
SACHT
Heavy metal meeting the Middle East, played live and loud.
YAATRA
Bass, dubstep and glitch around live didjeridu, tabla and guitars.
Yinon
Piano-pop with deep hooks, between 80s colour and string-wrapped ballads.
Not a logo on the back
of the sleeve.
Most of what an artist needs after the song is written happens in one of four rooms, and all four are ours. Nobody here hands a record off and waits to see what comes back.
Write & produce
Arrangement, production and the decisions that turn a demo into a record - made with the artist, not for them.
Record
Real players in a real live room, tracked on our own gear. Studio time is not a line item the artist has to fight for.
Mix & master
Finished in-house on the same desk the plugins were built on, so the record leaves ready for every platform.
Release & grow
Worldwide distribution, artwork, smart links, socials and the campaign around release week - run by the same house that made the record.
Demo to release.
No two artists move at the same speed, so nothing here is a fixed timeline. The order, though, is always the same.
The demo
A voice note is enough. We listen to what the song wants to be, and talk about whether this is the right house for it.
The room
Pre-production, then tracking. Arrangements get argued about, parts get replayed, the record finds its shape.
The finish
Mix, master, artwork and metadata. Everything a platform asks for, prepared before anyone picks a date.
The release
Worldwide distribution, smart links, content and the push around release week - then the next one starts.
We listen to everything.
Send us your music.
The roster is growing and we are listening. Every submission gets played, and the ones that stay in our heads get a reply.
Send a demo- Two or three tracks. A private link is fine - rough mixes, voice notes, live takes, whatever is honest.
- Who you are. A couple of lines and where we can hear more.
- What you want. A single, an EP, a full record, or just a room and someone to produce it.
- Where you are. We work with artists wherever they are based. Tell us where you are and we will work out the rest.
Do I have to sign with the label to record here?
No. The studio takes on outside artists for recording, mixing and mastering without any label conversation attached. If you want the room and the producers but not the rest, that is a normal booking - see mix and master or the studio.
What does working with RIPPLES actually involve?
It depends on the artist and the record, so it gets agreed case by case before anything is committed. What is constant is the shape of it: we produce and record the music here, finish it here, and handle the release and the marketing around it.
What kind of music are you looking for?
The roster runs from piano-pop to instrumental metal to bass-heavy electronic music, so genre is not the filter. What the artists here have in common is that they write their own material and know what they sound like.
Do you release music you did not record?
Rarely. The point of this label is that the record gets made in the building. If yours is already finished and you are looking purely for distribution, say so in the message and we will tell you exactly what we can do with it.
Got a record in you?
Send the songs, however rough. If it is the kind of record this house should be making, you will hear back from us.