Original music for film, TV, advertising and brands - licensed straight from our catalogue, or written to your picture and recorded under one roof. No stock libraries, no license roulette.
A first taste of the sync catalogue while the full library takes shape. Every track here was written, performed and mastered at RIPPLES - and every one of them can be yours to license.
More music lands here soon. Need something specific in the meantime? Tell us what you're cutting to - chances are we already have it.
Get a note as the catalogue grows. New music for licensing, nothing else.
Pick a finished track and clear it for your project. One conversation covers the whole rights picture - master and sync sorted together, in plain language.
When the picture needs its own voice - a score, a brand sound or a full song with vocals, written to your cut and recorded in our rooms.
A working recording studio, an in-house plugin line, a label and a composer team - under the same roof. Your music gets written, played, recorded and mastered without ever leaving the house.
Film and TV scoring - themes, cues and full scores written to picture.
Music for ads, campaigns and content - built around your brand's sound, cleared for your use.
Full songs written, produced and sung - when the spot needs a song, not a bed.
Sonic identities, textures and the sounds between the notes - a separate conversation, worth having.
No rate card, no drop-down menus. You tell us what you're making, we tell you exactly what it takes - scoped and quoted individually, rights structure included, before any money moves.
Send the cut, the script or just the feeling. We talk picture, references and deadline.
You get a direction to react to - a sketch against your picture, not a paragraph of promises.
Real players in a real room. Written, performed, recorded and mixed in-house.
Mastered, versioned and cleared - full mix, cutdowns and stems, ready for the edit.
Led by Oran Loyfer, with Dor Sahar and Guy Herling - producers and composers who write, perform and finish music every working day. The same hands behind the RIPPLES plugins and the label's releases write your score.
Writing, recording and rights live in the same house - so clearing a track never turns into a paper chase.
No stock beds, no loops off the shelf. Every cue starts as a blank session in our studio.
Mastered in-house, delivered in every version your edit needs - full mix, cutdowns, stems.
Every use is quoted individually - project, media, term and territory. No subscriptions, no tiers, no small print. You describe the use, we give you a straight number.
We do. The music is written, performed and recorded in-house, so clearing a track is one conversation with one team - not a chase across labels, publishers and session players.
Yes. Tracks can be delivered as full mixes, broadcast cutdowns and stems, so your editor can shape the music to the cut.
We wrote it, so we can rework it. A different ending, a stripped-back verse, a longer build - customization is part of the service, and it's usually faster than you'd think.
Tell us about the project - the picture, the deadline, the feeling you're after. We'll come back with a direction and a straight answer on what it takes.
